Gudensberg , 2021, 1st price

Redesign of Old Market and Surroundings of the town church Gudensberg

The medieval Old Market, grown over centuries along strong wall lines and staircases at the foot of the Obernburg, is structurally continued.

Urban development and design concept
The spatial shaping . . .

Kyffhäuser Denkmal, in Zusammenarbeit mit chezweitz Berlin, 2021, Recognition

Overall urban planning and monument preservation concept
The integration of new museum use elements into the listed inventory of the Kyffhäuser plateau and the medieval castle complexes requires an overall picture of past and present, merged into a sustain. . .

Lübbenau, 2020

"Turbine Lübbenau - meeting point green center".
Urban design and integration into the surrounding open space
An independent neighborhood grouped around a green center is formulated, which redefines the guiding principle "living and event in the park". An ensemble of 6 buildings is grouped in a circle around a central ope. . .

Guxhagen, 2018, 1st prize

Urban Idea, Mission Statement of the "Three Rings"
The historical and structural figure of the former monastery complex should be made legible again in its ring structure. The first ring around the inner ensemble of the abbey church will be rounded off in a small-grained scale. These extensions are design. . .

Timmendorfer Strand, 2017, 2nd prize

The pier vibrates in soft movements, like a wave in the direction of the horizon. Their floating, formal reduced form is built harmoniously by balancing linear stretching and wave movement. The spatial movement of the bridge’s structure is carried out in multiple dimensions: horizontally, soft swinging from left to right and. . .

Hannover, Dezember 2015, 1st prize

The seemingly disparate contraries of the carried and the borne, of the served and the operated and of the below and above are no longer separable in the 21st century. In fact they form a symbiotic relationship - at least since Auguste Rodins “Bürger von Calais“ there is a discussion about the pedestal and its variable amplitu. . .

Neunkirchen am Sand, 2015, 4th prize

The compact ensemble of the churchyard of St. Maria, with presbytery and parish barn, builds the urban reference for the creation of the new town centre. With the monument renovation of the mill building, a new central "heart" was created. New and old uses are arranged around the new city center: Mill - event hall . . .

Senden, 2015, 2nd prize

Comprehensive aim of the design concept is the connection of the two historic buildings Schloss Senden and Church St. Laurentius through the existing tree concept, as well as the differentiation of the elongated sections into “triangle squares“ and the “park joint“ as the linked element between city and canal. The triang. . .

Perm, 02/2008, finalist

Forestgarden at the Kama For the City of Perm a public and sensual space is emerging at the waterfront of the Kama River. It is intended to be an extensive museum garden for all inhabitants of Perm. Not a park alone and not only a museum building where visitors can meet. The flaneur, promenading the prospective garden, is overloo. . .

Königstein, Januar 2008, Finalist

The new entrance to the exhibition is not a building, it’s rather only the continuation of the passage into the fortress existing since the year 1589. The new entrance to the exhibition is not a point - it’s a meandering line which begins at the red bridge, guides to Hornravelin, Medusentor and through the dark and deep A. . .

Helsinki, April 2010

The Helsinki City Planning Department organized in spring 2010 a Townhouse Competition for the island Jätkäsaari Kruunuvuorenkat, witch is located in the west of downtown Helsinki. The disused port facilities are an important part of the urban development of Helsinki. It should arise dense urban structures that offer differentiated and opti. . .

Kapfenberg, Österreich, Juni 2007

Focussing the mountain range View lines will be drawn between the panorama and the site. The endpoint of the view lines will be fixed on the observable pinnacles oft he sourrounding mountains. Three types of alps can be viewed: low landmark mountains in the foreground of the valley, medium-rise mountain chains in the middle . . .

Rheinbach, 11/2007, 3rd prize

open farm - the Börde Park - technology, ecology and recreation. The building blocks of the landscape type of „Börde“ are made of linear landscape elements, such as hem lines, field borders, narrow stream ditches, tree rows and field divisions. The Börde Park, a linear, multi-dimensional and contextual Park, is inspired by these landsc. . .

Salzburg, Österreich, 09/2006, winning team

identity and diversityThe individual building - developed in a continuous characteristic style - create urban identity and complexity. Living in an urban atmosphere, affected by the interplay of shadow and light and by the interpretable boundaries of public and private, allows a livable and vib. . .

Salzburg, Österreich, 06/2006

a Home needs identityThe high-rise buildings from the 60s and the remediation of contaminated sites resulting in a cratered landscape are forming the base on which a new and vital urban district is supposed to be developed over the course of the next several years. Beneficial located in the midst of the urban. . .

Mittersill, 03 / 2005, 3rd prize

The Tauernrocks in the Museum Park Mittersill

„Yesterday, my parents, my sister and I went to the Krimmler waterfalls. But then we something quite beautiful. As we drove out of the town Mittersil, I discovered right at the entrance of the town some wild rocks, that actually aren’t any. They are situated. . .

San Francisco, 2000 - 2009, San Francisco Prize

in cooperation with Christian Werthmann and Transsolar, Matthias Schuler

The incredible blue skies prevail in our minds when we think of San Francisco. However, in the spring, thick, rainy clouds appear in the skies above San Francisco. In the summer, the famous fog comes in every night, a. . .

Yong-In, Korea, 2003, Finalist

The visitor enters the museum through a sensor controlled artificial waterfall. This curtain of water defines the edge to the world of Nam June Paik. Underneath the ground we have created an museum space like a telematic cave which is not hermeticly sealed but constantly shifting between the outside nature and the inside ex. . .