"Wer plant wie die Sommerinsel? Seit der Landesgartenschau PÃ¶ÃŸneck im Jahr 2000 hat Landschaftsarchitekt Wolfgang SchÃ¼ck vom BÃ¼ro LOMA in Kassel immer mal wieder mit Gartenschauen zu tun. Gut in Erinnerung ist noch seine innovative Bepflanzung der Kienbergterrassen anlÃ¤sslich der IGA Berlin 2017. Nun nimmt seine nÃ¤chste Gartenschau-Planung Formen an: die Sommerinsel auf der BUGA Heibronn 2019. Dazu haben wir ihn hier befragt! Herr SchÃ¼ck, sie haben zur BUGA Heilbronn 2019 die . . .
Hannover, Dezember 2015, 1st prize
The seemingly disparate contraries of the carried and the borne, of the served and the operated and of the below and above are no longer separable in the 21st century. In fact they form a symbiotic relationship - at least . . .
London, Juli 2015
Published in discover GERMANY - Issue 28 . . .
Bell-town and textile town of Apolda
The state garden show in Apolda invites the visitors to walk along three walks through the historic park. The walks within the restored park and their accompanying planting designs thematically revisit the tradition of bell . . .
The expert report for the protection, development and maintenance of the monumental palace grounds Schieder gives attention to the different time layers of the park, their importance and future interaction. The palace garden with its 20ha was created over the . . .
Neustadt a.d.Weinstrasse, 2004 - 2014, nominated for the german landscape architecture prize of 2017
German Natural Stone Prize 2013 - category landscape and open space
at the presentation of the DAM Prize in 2013 Peter Cachola Schmal said:
" ... they have created here a new and beautiful public space virtually unmatched anywhere north of the . . .
In 1969 opened the only amusement park of the DDR, called â€žKulturpark PlÃ¤nterwaldâ€œ. After been closed and fenced in 2001, the buildings and rides fell into a nearly 15 year long â€œslumberâ€œ. A new high-quality concept for the park with . . .
Timmendorfer Strand, 2017, 2nd prize
The pier vibrates in soft movements, like a wave in the direction of the horizon. Their floating, formal reduced form is built harmoniously by balancing linear stretching and wave movement. The spatial movement of the bridgeâ€™s structure is carried out . . .