Guxhagen, 2018, 1st prize
Urban Idea, Mission Statement of the "Three Rings"
The historical and structural figure of the former monastery complex should be made legible again in its ring structure. The first ring around the inner ensemble of the abbey church will be rounded off in a small-grained scale. These extensions are designed as a second ring with the theme "Building in context" while preserving the historic courtyards and newly ordered . . .
London, Juli 2015
Published in discover GERMANY - Issue 28 . . .
In 1969 opened the only amusement park of the DDR, called â€žKulturpark PlÃ¤nterwaldâ€œ. After been closed and fenced in 2001, the buildings and rides fell into a nearly 15 year long â€œslumberâ€œ. A new high-quality concept for the park with . . .
"Wer plant wie die Sommerinsel? Seit der Landesgartenschau PÃ¶ÃŸneck im Jahr 2000 hat Landschaftsarchitekt Wolfgang SchÃ¼ck vom BÃ¼ro LOMA in Kassel immer mal wieder mit Gartenschauen zu tun. Gut in Erinnerung ist noch seine innovative Bepflanzung der Kienbergterrassen anlÃ¤sslich der IGA . . .
Landscape Architecture Europe, 2015
â€žThe remark that Ripple Park was seen as â€˜good for the spiritâ€™ illustrates the deep connection that all jury members shared with this project. It was one of the few projects that the entire jury agreed about for the duration . . .
Neustadt a.d.Weinstrasse, 2004 - 2014, nominated for the german landscape architecture prize of 2017
German Natural Stone Prize 2013 - category landscape and open space
at the presentation of the DAM Prize in 2013 Peter Cachola Schmal said:
" ... they have created here a new and beautiful public space virtually unmatched anywhere north of the . . .
The expert report for the protection, development and maintenance of the monumental palace grounds Schieder gives attention to the different time layers of the park, their importance and future interaction. The palace garden with its 20ha was created over the . . .
Timmendorfer Strand, 2017, 2nd prize
The pier vibrates in soft movements, like a wave in the direction of the horizon. Their floating, formal reduced form is built harmoniously by balancing linear stretching and wave movement. The spatial movement of the bridgeâ€™s structure is carried out . . .